When word first started breaking last year that Ragweed was going to get the band back together. It sounded surreal and unbelievable. Then it actually happened and those words still fit. Last night we got to see a small preview of it in action at Mile 0. Surreal and unbelievable still seem the most apt descriptions.
I detailed in this piece about the reunion,
“Twenty years ago Cross Canadian Ragweed carved themselves from a garage band of teenagers into one of the most finely shaped rock bands in America…or the world. What may seem like hyperbole to some can be factually backed up by several concert attendance records, critically acclaimed albums, a trailblazing tour through the major label deal system, gigs played in every corner of the world and most importantly the heavy influence the band has had on just about every band to come out of Texas and Oklahoma over the past twenty years.”
The reasons they rose to that ultimate level were on full display last night at Mile 0 Fest. Attendees began putting two and two together a few weeks back with little breadcrumbs being dropped by both the festival and the band. An all star Ragweed jam was planned after Shane Smith and the Saints. On the surface a typical Mile 0 happening. At the root, something much more special was afoot.
Sure, artists at the festival would get up and sing a favorite Ragweed song. But maybe the guys themselves would hop up for a song or two. Wishful thinking. Or as we all thought.
It actually happened, y’all.
Following an all-star collaboration jam (set list below) that included everyone from an out of retirement Jamie Lin Wilson to Tanner Usrey and just about everyone in between. The true highlight was the inclusion of Waves In April and The Smokin’ Oaks.
Waves and Oaks are part of the Ragweed family literally. They represent the Canada and Cross clans collectively. Waves just about stole the show with a metal treatment of “Carney Man” that found Dierks Canada fronting the band guitarless with a death growl that would make Phil Anselmo nod in approval. Willy Canada provided the drums and “you need a fucking corn dog” was sung in harmony. It was a spectacle. We’ve all watched these talented kids grow up and into themselves as artists. Staying true to their hearts they dropped their very own new, metal single at midnight while dad was still on stage.
The Smokin’ Oaks which includes Slaid Cross on guitar tore into a loyal and straightforward cover of “Suicide Blues” that found frontman Colton Blake tearing up his axe and delivering the most convincing version of that tune these ears have heard in 15 years or more.
Ragweed is a family affair. Much like Willie, they lean on and include family in every aspect of the business. Shannon Canada stepped out of her comfort zone and introduced the band in front of a crowd of thousands. It was an emotional moment. But, when she ended it with “let’s fucking rock!” the tone was set.
The jam ensued. Then the stage cleared. At that moment, Cody Canada, Grady Cross, Jeremy Plato and Randy Ragsdale walked onstage like conquering heroes. There were nerves. There were smiles. There were tears. Then they lit into “Number” and it was like it was 2005 or so.
The word that came to mind continually throughout their performance was joy. Everyone was so…happy, grateful and fulfilled. The band. The crew. The crowd. The family.
The Ragweed family I talked about most definitely extends to their fans. And last night was a family reunion. Or a glimpse of one. The real one doesn’t happen until Stillwater in April. Last night’s experience was like a rehearsal in front of friends. If the band practicing hadn’t played together in 15 years but still sounded better than ever and showed no signs of rust.
Fear not those of you who bought Stillwater tickets and weren’t present last night. This was merely a test run for the final project coming up in April. But, be heartened that Cody also said onstage regarding what will happen after April “ stay tuned!”
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