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Today in Music
One day like today...
1991
Garth Brooks' Ropin' The Wind album released

1989
Proving that hot chicks dig guys with guitars no matter how ugly they are, Cars lead singer Ric Ocasek marries model Paulina Porizkova.

1993
Pearl Jam performs a song from their upcoming "Vs." album, "Animal," at the MTV Video Music Awards. Following that they are joined onstage by Neil Young for a blistering version of "Rockin' In The Free World."

1995
The Rock and Roll Hall Of Fame opens in Cleveland with a concert that features, among others, Bruce Springsteen and Chuck Berry.

0
The great Joe Ely celebrates a birthday today.

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Brad's Corner: August 2009-What's the Difference?
*"What's the Difference?"

My brother-in-law was at a casino in Shreveport some years ago when he ordered a Dr. Pepper. The waitress exclaimed they had Mr. Pibb and punctuated it by saying "What's the difference?". I was reminded of that fine rhetorical question recently during a conversation I was having with someone about the state of affairs in our once proud local music industry.
The person I was talking to was an old-timer. Used to work in radio as a disc jockey in the 80's, he now works in the sports field. He was talking about how music today confuses and perplexes him and that upsets him because he still considers himself hip. And, from talking to him, I could tell that he still had a good grasp of what was cool and what was definitely not.

His main point of contention about mainstream country music was that when he's cruising by radio stations or CMT/GAC he can't distinguish one act from another. They sound the same, look the same etc. And, back in his day it took no time to tell the difference between a Haggard song or Jones song...and it could be done in the first 10 seconds. Now, everything is so formulaic that it sounds the same. Produced by the same handful of producers using the same handful of studio musicians. The videos are all shot by the same handful of directors, in the same Nashville area locales and using the same extras.

His main point of contention about Texas Music was much the same. When it came back into flavor in the late 90's, it had an edge and was different. Then, as has been pointed out so many times here and elsewhere, the scene got flooded with no-talent hacks singing bad beer-soaked GCDC poetry. People that can't write, sing, or play squeezing out those few truly talented and innovative artists who are doing something original. The first wave pointed to guys like Townes Van Zandt, Guy Clark and Robert Earl keen as their inspiration. Next, after a couple of years, a rock influence seeped in and Bruce Springsteen's name was bandied alongside Kurt Cobain, the Toadies and even Prince. Then, a younger wave of guys came through that pointed to guys in the first wave as their influences and unabashedly copied them.

As we talked through all this, the old-timer summed it up by saying "Texas Music used to be different, but it's not anymore...a lot of it is crap." I could only nod my head in agreement. It is something I've pointed out over and over and over. It is now to the extent that a casual older gentleman that follows this music has noticed.

Texas/Red Dirt has slowly slipped into a precarious ravine where everything sounds and looks the same.

Every album seems to be produced by Mike McClure, Lloyd Maines, Walt Wilkins or Keith Gattis for the most part. I seem to remember a time when I could tell who's song was whose just by the first few bars. Different techniques, different vocals etc. Yet, it's gotten to such a point that those who still retain an original sound are copied to the point of frustration. And, some of those who have become relatively popular have an "original sound" only because it is so basic and juvenile that it makes me want to rip my ears off.

The minute someone can explain the lyrical genius and sophisticated musical stylings of Casey Donahew and Josh Abbott will be the same minute I root for the Oklahoma Sooners and join PETA.

Seems like a lot of the folks that are making cool, new music in this scene are playing to fifty people in a dive while the lame rip-off artists play to packed houses full of alcohol fueled sing alongers who don't know any better. Why do they not know any better? Because Texas radio has become just as bad as Clear Channel and Cumulus minus a couple of exceptions (Mandatory FM and KNBT). Listen/stream those two stations if you want to hear cool stuff without the crap paying to play on the narrow playlists of other "Texas" stations.

There are countless other examples that I can come up with...but I want to hear yours...what's the difference anymore...or is there a diference?

MINOR CHORDS:

-Greenfest was a rousing success this year. Momo's was the perfect venue and we hope to return next year. The Sunday show was great too. Thanks to everyone for making it a success. My favorite part was the jam at the end of the night at Momo's featuring Nate Rodriguez playing Adam Hood's guitar and singing "Will the Circle Be Unbroken?" Amazing stuff.

-I've had the pleasure of seeing Will Hoge play twice this summer. Once in Nashville, once in Dallas. The Nashville show was better, but they were both excellent. If you get a chance to see this man perform, please do. He's got the intensity and charisma of Springsteen without merely namechecking him and playing watered-down rock.

-The older I get, the more I realize how selfish people can be in general. It's a sad comment on the human race.

-It's finally football season! Have big hopes for the Longhorns...hope to be pleasantly surprised by the Cowboys.

-Making plans to see several big rock shows this fall. Gotta see how the big dogs do it. AC/DC, U2 and others on tap. I'm excited already.

-VH1 Classic and VH1 Soul are the best channels on cable many nights.

-I've read several books this summer during downtime, and Midnight Riders: The Story of the Allman Brothers Band by Scott Freeman, may have been the coolest. We have two huge bookcases in our house and they are completely full. 75% are full of music and music bios/autobios...this is a good one. At times it drug on with a few too many details. For example, Freeman goes into extraordinary detail about each recording session the band ever went into. You'll see what I mean if you read it, and you should. But, the tales of the band rising up from bars to stadiums and the problems that come with that were fascinating.

-Ran into one of the good guys of Texas Music at Greenfest, Adam Svoboda. You may know Adam best for his time spent with Ryan Turner on lead guitar. Adam is now playing with Wes Hayden of toolbag Bachelorette fame. Poor Adam. He assured me that Wes is really cool and that the entire show was a bad edit job.

-This month's recommended film is: 500 Days of Summer. A quirky little movie with a killer soundtrack. If you dug Garden State or Nick and Norah...this is your movie.

-This month's recommended album: Radney Foster-Revival. I have a full review of this record coming in the next issue of LSM Mag. But, let me say it'sa cool little record that mixes equal parts gospel, country, blues and Brit pop. Basically, it's a Greatest Hits record full of songs you've never heard before.

-"Of all the things I've lost, I miss my mind the most."-Mark Twain
 

Discuss This Article
Craig Wrote:
Well done, Brad. I agree with most of what you said here.

StephRose Wrote:
Cheers to that! Good one Brad

brittlloyd.com Wrote:
Very nice Brad, I have to stay impartial most the time, but definitely have to give you props on this one

jmeek22 Wrote:
There's definetly a lot of crap out there, but there's a lot of good stuff too!!!

Ghandi05 Wrote:
I agree with you completely about Casey Donahew and Josh Abbott. They have both played in Waco and the bar was charging 18 bucks respectivly. Those guys are mediocre at best, but they keep playing in Waco because they morons think that they are good. I miss the time when artist like Walt Wilkins, Josh Grider, Kim and Kristen Kelly would play a small bar for 30 people with just their guitar. It sucks now.

dosdovi Wrote:
First let me start by saying I agree completely with what you’re saying Brad. I’ve been reading this column/blog for three or four years, and surprisingly have never commented. I just joined officially, but I’ve enjoyed every article I’ve read on this site for a long long time.

I guess the reason I’m replying is that I’m just as frustrated as you are about this. I haven’t been listening to the music on the scene as long as it’s been there. Hell back in the early 90’s I was listening to Garth Brooks thinking the establishment couldn’t get any better, given I wasn’t even in school then but I digress. I found Texas Country because I was wanting something different that Nashville wasn’t delivering. It’s the same story we all have.

That brings me to what I think about the music I love today. It’s still out there. Some of it does make it on to radio stations like the ranch, but the majority of what I hear on there is the same blandness I hear on the major radiostations-just like you said Brad. Why should acts strive to be different and unique, when they can just as easily make money recreating what has already been done? They can sell out a dancehall with their own versions of Pat Green. Once again you’ve said this and you’re right. There is a lack of origionality. You can’t distinguish an act from another in the first few measures of a song like before, just like you said. But perhaps there’s another reason for that too.

The bands we used to love and praise as original covered all of the bases. We enjoy a variety of music on this scene that we claim as our own. But each band that has come before has had their own distinctive style. Now, the standard is so high that everything else, while it may be very heartfelt and real just like theirs, is labeled a copy. Everything new is somewhere between Bleu and Jason Boland, to an extent at least. The acts may mix this and that but originality is almost impossible to achieve, it seemingly has been, but it’s getting worse. Bands are overlooked because the same G C D chord progression is used. I could go for pages about this, so I’ll let it go for now.

Greatness is still out there, but its not in the mainstream, I guess we’ll have to endure another cycle of it getting worse and worse before every drunk at the bar gets tired of the music sounding the same, and it changes.

Sorry for the length, I’ve been wanting to write this out for a while and I guess this is the venue…but I’d love to talk about it with anyone who’s willing

WinterIsOver Wrote:
Thank you for calling out Casey Donawho. I'm at a loss as to how so many people dig that.

It's funny to me, these days you can tell half the time who a lot of these newby's are "inspired by." They want to be them, and it is grossly obvious. Sometimes all the way down to the way they dress. Such a turn off! They ride the coat tails with no talent, and people are falling for it.

I think the problem here is that a lot of the Texas scene fans are no different than the ones that buy that crap from Nashville. Texans aren't immune to having bad taste, and Casey and Josh are prime examples of that. Another is the Kyle Kenney Band. That guy wants to be Randy Rogers so bad. It's sickening.

For me, I'll just stick to the ones that I find to be real and original..... and I will love them like Sunday mornin'. I'll always be in the choir for my favorites, and plug 'em everywhere I can.

Just like we pluck the few from Nashville, like Jamey Johnson, we're are getting to the point that we have to pluck the few here in this scene. But I got my gaydar charged and ready.

marksman Wrote:
I agree totally, but I'd like to add that it's not just the newbies that are not original... the last CD's by RRB, WB, Bingham and not to mention PG or CCR (past 3)have all been lame compared to previous releases.....Maybe (hopefully) that's why Stoney has stalled for so long....he see this and does not want to compromise.????

WinterIsOver Wrote:
marksman, I'm sorry you feel that way. You're missing out dude. I'll admit that sometimes it may take me a little longer to catch on to some of them, because I had a preconceived notion of what it would be. But I also realize that these guys aren't 23 anymore, and I expect that to reflect in their music. I find more conviction in writings about current life more than the past.

There's a handful of artists that could fart and wrap in in a CD case - and I would buy it. Why? Considering the fact that I still listen to their older albums on heavy rotation, I think they're worth a thousands times more than what I paid for them. It's the least I can do to show appreciation.

phil Wrote:
Definitely agree with you on this subject. Unfortunately I find myself wanting to be like a lot of my favorite artists like the Cody, Randy, Wade, etc. Great guys and I love their music, but that's who everyone's trying to be. Then I hear Sean McConnell and he sings the songs that he cowrote with Wade, Randy, etc, and they sound so AMAZINGLY different. Definitely dig his music, unfortunately I have not been able to see him live yet. Yet, that is.

Brad Wrote:
For the record, I've corresponded with Josh Abbott since the publication of this article and he's a stand-up guy who had the balls to tell me why he agreed with the sentiment of the article wholeheartedly, but didn't think he belonged in the category of bad music. Cool dude.

Chase6MB Wrote:
Could not agree with this article anymore than I do!!!




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